Adding “-punk” to the end of words to describe a setting and design aesthetic is a staple of speculative fiction. It began (as a language construct, anyway) with cyberpunk, a type of fiction which suggests a dystopian future dominated by cybernetics, virtual reality and people running around in tight black things one minute and poorly rendered green 3d wireframe graphics the next.
Steampunk, despite having highly disputed origins, has a very consistent aesthetic involving high technology powered by steam and mechanical means. The dress code is all about brown leather, tweed, brass accents and anything else that looks vaguely Victorian.
While cyberpunk and steampunk have become widely understood, there is, in my mind, a third x-punk aesthetic. While it’s equally as prevalent, codified and overused as its brethren, it has not, until I named it just now, had a name. Its name is “Zombiepunk”. It just is. Because I said so.
Zombiepunk fiction is based on the idea that some event has effectively ended modern civilization, leaving the survivors to fight over the scraps. The name comes from the fact that this event is often the outbreak of a disease which turns most of the population into a horde of murderous zombies. This isn’t always the case, sometimes the event is a nuclear war or an alien invasion. It creates a world where the events of Sex and the City could not take place, or at the very least, they would become watchable televison. As far as design sense goes, it is effectively an a kind of “un-aesthetic”. Its technology is cobbled together from the remains of a dead civilization. As far as fashion goes, there’s a lot of denim, canvas and inexplicably, bondage gear.
In the service of clarity, I have prepared this handy chart:
| Cyberpunk | Steampunk | Zombiepunk | |
| Essential Book | Neuromancer | The Difference Engine | The Road |
| Essential Movie | The Matrix | League of Extraordinary Gentlemen | The Road Warrior |
| Building Materials | steel, virtual reality | brass, polished mahogany | plywood, garbage bags |
| Dress Code for Men | black, with black on black. | tweed, plaid, vests, brass accents | leather and spikes |
| Dress Code for Women | tight synthetic rubber | tight tweed corsets | tight canvas with too many straps |
Just to be thorough, let’s look at some examples. (Mouse over each for alt-text.)
Cyberpunk – Dress Code

Cyberpunk – Vehicles

Steampunk – Dress Code

Steampunk – Vehicles

Zombiepunk – Dress Code

Zombiepunk – Vehicles

You may wonder why I’ve suddenly become obsessed with this, and you would be right to do so. (I even did a pretty major overhaul of my website visuals.) I’m not sure, really, other than I am not-so-secretly planning for a zombie apocalypse. It’s by far the most plausible speculative fiction there is. Sure, you can wait until it actually happens and then figure out what to wear. Me? I’m already stockpiling canned food and ammo and warming up my welding gear.
It’s day three of
Apparently I don’t have enough to do. Also, when I fail, I like to fail big (and publicly, if at all possible.) That’s why I’ve decided to participate in this years 

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